gesture of painting" opposes to thinking a kind of aporia. This gesture inscribes in the space-time-matter of the visible figures that stem from an entirely other space-time-matter, not abstract but visible in an entirely other way {atout autremenf')^ .15.Lyotard himself admits that it no longer will bef35 But "this torturous gesture^ this twht [tors], must present1 itself in the ''space-time, where it becomes a work.W3s The gesture "has to be rendered sensible at the same time that it is a challenge to sensibility^ This challenge itself is what makes art. Ihe work, then/'will have gestured to another time, space, and matter to which commentary will have to link on.37