Various expressions of semio-weight

讨论了漫画中的重量符号的各种表达方式（日本故事漫画）。半权重<br>是期望（“ cathexis”）的潜力，它决定着惊喜，笑声和其他情绪的强度。<br>漫画不仅以图画<br>描述的形式而且以奇特的符号代码的形式被充斥着大量符号的表达。我们区分符号学<br>表达的两种新兴类型，即由手冢治虫等作家系统化的视觉符号和<br>从该语言衍生的语音符号。前者（形式）将被简单地观察和理解，而<br>后者（声纳）将被默读或发音。在漫画阅读中，有效地“翻页”<br>得出准权重的维数。漫画创造了一种新的符号表达语法，<br>与文献大相径庭，这可以用社会理论的“多重性原理”来解释。

Various expressions of semio-weights in Manga (Japanese story comics) are discussed. Semio-weight<br>is the potential of expect (“cathexis”) which determines the strength of surprise, laughter and other emotions.<br>Manga is abundantly charged with the expressions of semio-weights, not only in the form of pictorial<br>description but also by the peculiar symbolic codes. We distinguish two emerging types of semiotic<br>expression, the visual symbols systematized by writers such as Osamu Tezuka and the phonetic symbols<br>derived from the language. The former (formpher) will be simply looked and understood and the<br>latter (sonopher) will be read or pronounced silently. In Manga reading, “turning pages” effectively<br>induces the dimension of semio-weights. Manga has created a new grammar of semiotic expressions very<br>different from the literature, which can be explained “multiplicity principle” of socion theory.

讨论了日本故事漫画（Manga）中半权的各种表达方式。半重量<br>是期待的潜能（“cathexis”），它决定了惊喜、笑声和其他情绪的强度。<br>漫画充满了半重量的表达，不仅仅是以图画的形式<br>也可以用特殊的符号代码来描述。我们区分了两种新兴的符号学类型<br>表达，由作家如手冢和语音符号系统化的视觉符号<br>源于语言。前者（formpher）将被简单地看待和理解，而<br>后者（sonopher）将被默读或发音。在漫画阅读中，有效地“翻页”<br>引入半权的维数。漫画创造了一种新的符号表达语法<br>不同于文献，可以解释社会学理论的“多元性原则”。