If we factor in immersion through experientiality we arrive at an impasse because greater experientiality (e.g. by means of the reflectoral mode or internal focalization) seems to demand specificity as a prerequisite. As mentioned above, the problem arises because discussions ofyou-narration at this point conflate two distinct aspects, namely, whether we feel addressed by the you in the text on the one hand, and whether we become emotionally involved in the presented actions on the other. It is obvious that we can immerse ourselves to a certain degree in stories which do not make use of second-person narration. The more difficult question is whether we can feel addressed by the second- person pronoun and still remain detached or uninvolved.